His groupies told me I was too “ugly for nice clothes on the street”. so better buy him up Mario for 100 bucks. Cuz I was to ugly to help after shitting myself after the Police raped me! He’s selling heroin & meth. at least I got some of the cut! He chose his male pimp over me. Hopsin is working my corner on Las Palmer & Hollywood blvd. This is “Cappy Face” from 408 Curtner Elementary, born & raised in San Jose, Tucson & Nogales Mexico. I’m so glad Hopsin & Funk Volume told me the truth on Face book & YouTube. Left Queens hit Brooklyn, I'm on a belt now Sign of the cross on your chest and your head now
How would you have learned if I ain't leave? Mario capably fills the part the way a runway model displays haute couture he’s an A+ coat hanger.But right now I gotta accept the fact yeah
2013’s winner is “Somebody Else,” a song so packed with stuttery, chugging drive and dreamy bubblegum concerto sweep that it can’t be torpedoed by Chris Brown or improved by Frank Ocean. The same can’t be said for Polow da Don, who has dropped at least one deathless track more or less every year for the past decade. John Seroff: In the polarizing wake of Yeezus (“ Bound” aside), it’s difficult to remember when pre-808 Kanye regularly released sample heavy, soul-soaked greatness without faux gravitas or over-the-top contrivance. The Minaj verse is tight, and in her pattern, better than the male star who is supposed to lead the track. Here, they’re swapped and switched like three-card monte, and no matter what’s chosen, it proves more compelling than Mario himself.Īnthony Easton: I like that the percussion has a rock and roll energy, all reworkings of kick drums and snares. It’s not even a stellar verse by her standards, but “You dead now/Sign of the cross on your head and your chest now” makes sense of both the carefully handwaved gaps in Mario’s narrative and the gothic excess of the production.īrad Shoup: Mario seems to enjoy the challenge of unifying disparate production approaches. Iain Mew: Maybe all breakup songs should provide both sides of the story? “Somebody Else” takes on a whole new life when it emerges that Nicki Minaj is there to contest rather than co-sign. I find the way the track fizzles out after a good (if not scene-stealing) Nicki verse to be a touch unsatisfying though.Īlfred Soto: With drums booming like John Bonham and Minaj boom-badooming, Mario has his back against the wall, but he delivers an aggrieved lyric on his end, despite leaning hard on the Auto Tune. Better than that, it renders the relative wetness of Mario’s vocal performance here rather touching. I just wish they simplified “Somebody Else” down to that.Įdward Okulicz: I love what’s been done with the sample here - adding those big stabby beats behind each word gives the sadness a little violence and it’s very clever indeed. Still, that snippet of 21st Century’s “Remember The Rain” sounds really good. Michel: A bit too ambitious for its own good – like, what’s the point of the chilly electronic stabs that pop up at times? And a total waste of Nicki Minaj. Peak Unimpressed Nicki Minaj, right here.
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